Forthcoming

Hiebert, T. (2012) In Praise Nonsense: Aesthetics, Uncertainty & Postmodern Identity. Montreal: McGill-Queen's University Press, Spring 2012.



Recent and notable

September 23-December 3, 2011
Excerpts from the Library of Babel. Kirkland Arts Center. Kirkland, WA. Curated by Jayme Yahr.


>> Read the Review:
Kascha Semonovitch, "Dreamy Eastside exhibits upstage Seattle arts scene," Crosscut.com, October 6, 2011.


October 24-November 2, 2011
The Art of Placebo. Open Space Artist-Run Centre. Victoria, Canada. Curated by Doug Jarvis and Art Clay for Digital Art Weeks 2011: Off Label.


Ted Hiebert. "Werewolves, Magnetic Fields and Fingerprints of a Technological Imaginary." Presentation given at the Pacific Centre for Technology and Culture (University of Victoria), March 30, 2011. Available online at www.pactac.net

Ted Hiebert is a Canadian visual artist and theorist. His artworks have been shown across Canada in public galleries and artist-run centres, and in group exhibitions internationally. Recent exhibitions include: Werewolf Stories, Shift Studio (Seattle, WA, 2011), Of Brains & Magnets, Latitude 53 (Edmonton, AB, 2011), and Tangible Spiritualities, Xi'an Academy of Fine Art (Xi'an, China, 2010) Recent collaborative projects include More Often Than Always, Less Often Than Never, The Richmond Art Gallery (Richmond, BC, 2010), Eidola, Open Space Arts Society (Victobira, BC, 2009), Electronic Shamanism, InterAccess Electronic Arts (Toronto, ON, 2009), and the annual The World Telekinesis Competition in conjunction with The Noxious Sector Arts Collective of which he is a founding member. Hiebert's theoretical writings have appeared in, among others, The Psychoanalytic Review, Technoetic Arts, Performance Research and CTheory, as well as in catalogues and exhibition monographs. He is a member of the Editorial Board of the journal CTheory, and an Assistant Professor in the Department of Interdisciplinary Arts & Sciences at the University of Washington Bothell.