Ted Hiebert is an interdisciplinary artist and theorist. His work focuses on boundaries between the imagination and the everyday--examining aspects of technology and digital culture with a particular focus on the absurd, the paradoxical and the imaginary. His individual and collaborative artworks have been shown in public galleries and artist-run centres around the world, including: Open Space (Victoria, CAN), Grunt (Vancouver, CAN), The Museum of Art (Seoul, KOR), The Center on Contemporary Art (Seattle, USA), Plug-in Institute of Contemporary Art (Winnipeg, CAN), and The Goodman Arts Centre (Singapore, SGP), among others. Hiebert's theoretical writings have appeared in journals such as The Psychoanalytic Review, Technoetic Arts, Performance Research and CTheory, as well as in catalogues and exhibition monographs. He is the author of In Praise of Nonsense: Aesthetics, Uncertainty and Postmodern Identity (Montreal: McGill-Queens University Press, 2012), A formalized forum for informal inquiry (Seattle: Noxious Sector Press, 2015), and (with David Cecchetto, Marc Couroux and Eldritch Priest) Ludic Dreaming: How to Listen Away from Contemporary Technoculture (London: Bloomsbury, 2017). Hiebert is a founding member of Noxious Sector Arts Collective, a member of the experimental theory group The Occulture, and a member of the Editorial Board of the journal CTheory. He is Associate Professor in the School of Interdisciplinary Arts & Sciences at the University of Washington Bothell.