Ted Hiebert is an interdisciplinary artist and theorist whose work focuses on boundaries between the imagination and the everyday--examining aspects of technology and digital culture with a particular focus on the absurd, the paradoxical and the imaginary. His individual and collaborative works have been shown in public galleries and artist-run centres around the world, including: The Museum of Art (Seoul, South Korea, 2014), VIVO Media Arts (Vancouver, Canada, 2014), The Center on Contemporary Art (Seattle, WA, 2014), and Plug-in Institute of Contemporary Art (Winnipeg, Canada, 2013-14), among others. Hiebert's theoretical writings have appeared in journals such as The Psychoanalytic Review, Technoetic Arts, Performance Research and CTheory, as well as in catalogues and exhibition monographs. He is the author of A formalized forum for informal inquiry (Seattle: Noxious Sector Press, 2015) and In Praise of Nonsense: Aesthetics, Uncertainty and Postmodern Identity (Montreal: McGill-Queens University Press, 2012), a member of the Editorial Board of the journal CTheory, and an Associate Professor of Interdisciplinary Art in the School of Interdisciplinary Arts & Sciences at the University of Washington Bothell.

Hiebert, T. (2015) A formalized forum for informal inquiry. Seattle: Noxious Sector Press.

Hiebert, T. (2012) In Praise Nonsense: Aesthetics, Uncertainty & Postmodern Identity. Montreal: McGill-Queen's University Press.