April 18-June 2, 2013
Off the Plain: Contemporary Northwest Photography. Place, Portland, Oregon. Curated by TJ Norris br>
May 6-19, 2013
Digital Art Weeks 2013. Future Cities Lab, Singapore br>.
May 8-29, 2013
Sight & Sound 2013. Eastern Bloc. Montreal, Canada br>.
Ted Hiebert, "The Transparency of Aethetics." Video archive of a lecture for the Visions for the Posthuman Future series, Pacific Centre for Technology and Culture, University of Victoria. March 20, 2013.
Bad at Sports Contemporary Art Talk, Episode 398: Ted Hiebert. April 15, 2013.
Hiebert, T. (2012) "The Speed of Broken Light: A meditation on duration and performance." Performance Research 17:5.
Hiebert, T. (2012) In Praise Nonsense: Aesthetics, Uncertainty & Postmodern Identity. Montreal: McGill-Queen's University Press.
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Recent and notable
March 1-31, 2013
Wintermoot. Institute for Speculative Media, Anchorage, Alaska. br>
January 10-February 9, 2013
Hybrids and other Strange Amalgamations. SAM Gallery. Seattle, WA. Curated by Barbara Shaiman br>.
November 16-December 21, 2012
Welcome Back Ye Annunaki. Ted Hiebert & Doug Jarvis, curators. Open Space Arts Society. Victoria, BC.
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September 6-29, 2012
Hunting Orange Rabbits. Shift Collaborative Studio. Seattle, WA.
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Ted Hiebert is a Canadian visual artist and theorist.
His artworks have been shown across Canada and the Pacific Northwest in public galleries and artist-run centres, and in group exhibitions internationally.
Recent exhibitions include:
Hunting Orange Rabbits, Shift Studio (Seattle, WA, 2012),
Excerpts from the Library of Babel, Kirkland Arts Center (Kirkland, WA, 2011),
and Tangible Spiritualities, Xi'an Academy of Fine Art (Xi'an, China, 2010)
Recent collaborative projects include:
The Haunting of George Street, Eastern Edge Artist Run Centre (St. John's, NL, 2012),
Off Label, Open Space Artist Run Centre (Victoria, BC, 2012),
and the annual The World Telekinesis Competition in conjunction with The Noxious Sector Arts Collective of which he is a founding member.
Hiebert's theoretical writings have appeared in, among others,
The Psychoanalytic Review,
Performance Research and
as well as in catalogues and exhibition monographs. He is the author of In Praise of Nonsense: Aesthetics, Uncertainty and Postmodern Identity (Montreal: McGill-Queens University Press, 2012), a member of the Editorial Board of the journal CTheory, and an Assistant Professor in the School of Interdisciplinary Arts & Sciences at the University of Washington Bothell.